黃智琳｜Artist Bio

黃智琳，臺灣藝術創作者。師從卓麗秋老師學習傳統山水畫與青花瓷繪製，從筆墨、山水構成與瓷上繪畫逐步建立創作基礎。

其後受到臺灣傳統廟宇建築壁畫的啟發，開始關注傳統繪畫中圖像、象徵與敘事之間的關係，並進一步思考：山水除了描繪自然之外，是否也能成為描繪人生處境的視覺語言？

她的創作由傳統山水出發，逐漸將山石、雲水、花木、動物及具有文化象徵意義的圖像重新組構，藉由不同意象之間的並置、框限、穿越與循環，探索人在追尋、慾望、選擇、成就與束縛之間不斷變動的生命狀態。

在她的作品中，山水不僅是自然景觀，更逐漸成為承載心理狀態與人生處境的隱喻空間。創作媒材涵蓋水墨、礦石顏料、膠彩與青花瓷繪，並持續在傳統繪畫語彙、文化象徵與當代個人經驗之間尋找新的連結，探索東方山水於當代語境中的多重可能性。

Chih-Lin Huang | Artist Bio

Chih-Lin Huang is a Taiwan-based artist who studied traditional Chinese landscape painting and blue-and-white porcelain painting under artist Cho Li-Chiu, gradually developing a foundation in brushwork, landscape composition, and painting on porcelain.

Inspired by the murals found in traditional Taiwanese temple architecture, Huang became increasingly interested in the relationship between imagery, symbolism, and narrative in traditional painting. This led her to consider a central question in her practice: Beyond depicting nature, can landscape become a visual language through which deeper human conditions and experiences are expressed?

Rooted in the tradition of landscape painting, her practice reconfigures mountains and rocks, clouds and water, flora, animals, and culturally symbolic imagery. Through juxtaposition, boundaries, passages, and recurring structures, she explores shifting states of human experience shaped by pursuit, desire, choice, achievement, and constraint.

In Huang’s work, landscape is not merely a representation of nature, but a metaphorical space that carries psychological states and the complexities of human experience. Working across ink painting, ink and colour, mineral-pigment painting, and blue-and-white porcelain painting, she continues to seek new connections between traditional pictorial language, cultural symbolism, and contemporary personal experience, exploring the evolving possibilities of East Asian landscape in a contemporary context.

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