Blue-&-White - CHIH-LIN HUANG ART

《不周雲境 Cloud Realm of Mount Buzhou》

2026年青花瓷

高 35.5 x 寬 21 公分

瓷土、青花釉料 Porcelain clay，blue-white glaze

取意神話中的不周山。群峰隱現於雲霧之間，松影臨崖，飛鳥穿行山際，在青花濃淡之中，展開一處似真似幻的山境。
Inspired by the mythical Mount Buzhou, peaks emerge through drifting mist, with pines clinging to the cliffs and birds gliding between the mountains. Layers of cobalt blue unfold into a landscape suspended between reality and imagination.

《雲關 Cloud Pass》

2026年青花瓷

高 31 x 寬 19 公分

瓷土、青花釉料 Porcelain clay，blue-white glaze

雲霧漫過層巒，飛瀑自山間垂落。以提梁化作一道山關，好似穿越其間，便可走入雲深之境。

Mist drifts across layered peaks as a waterfall descends through the mountains. The vessel’s handle becomes a gateway among the clouds, as though passing through it might lead into a realm hidden deep within the mist.

《員嶠煙嵐 Mists of Mount Yuanqiao》

2026年青花瓷

高 28 x 寬 19 公分

瓷土、青花釉料 Porcelain clay，blue-white glaze

取意傳說中的海上仙山「員嶠」。群峰隱現於煙嵐之間，林木、飛瀑與遠山隨器身環繞延展。轉動觀看，山勢開合、雲氣流轉，彷彿循著不同視角遊歷一座漂浮於雲霧之中的仙山。

Inspired by the legendary Mount Yuanqiao, an immortal mountain said to lie beyond the sea. Peaks emerge through drifting mist as forests, waterfalls, and distant mountains unfold around the vessel. As the viewer moves around it, the landscape continually shifts, evoking a journey through an otherworldly mountain suspended in clouds and haze.

《觀嶂知幾 Insight Beyond the Peaks》

2026年青花瓷版畫

高 33 x 寬 33 公分

瓷土、青花釉料 Porcelain clay，blue-white glaze

登高觀遠，知機而行，於變化中開展新境。

2025年的青花瓷創作以傳統山水為起點，將山巒、雲霧、松林與流水等景象延伸至不同器形之上。隨著器物曲面與觀看角度的改變，山水不再侷限於單一畫面，而是在器身之間環繞、延續與留白，形成可隨視線移動而展開的風景。

此系列大部分作品曾於中正紀念堂展出。透過不同器形的並置與陳列，嘗試讓青花山水從平面的觀看方式走向立體空間，也成為後續青花瓷創作持續發展的起點。

Beginning with the tradition of Chinese landscape painting, this series extends mountains, mist, pine forests, and flowing water across a variety of porcelain forms. As the vessel curves and the viewing angle shifts, the landscape moves beyond a single framed image, unfolding continuously around the surface and revealing itself through movement.

Selected works from this series were exhibited at the Chiang Kai-shek Memorial Hall. Through the arrangement of different vessel forms, the series explores how blue-and-white landscape painting can move from a two-dimensional image into a spatial experience, establishing a foundation for the artist’s continuing development in blue-and-white porcelain.