*繪製過程和細部
《局中局 Nested Game》
45×45 cm
紙本設色
2025
畫裡，那個「更高的手」像是在餵養，也像在控制。看似饋贈，實為圈養。
以為能躍龍門，但其實路已被框定。
「以為自己掌控局面，卻不知自己身在更大的局中，被困、被養、被安排。」
此畫中的小人以為自己掌控了魚可以躍龍門、求富貴，殊不知自己被一個更大的局所掌控、困養。此畫不是困於環境，而是困於「認知」、「慾望」、「錯覺」、「自以為是的掌控」。
《局中局》描繪自以為掌控者，實則身在更大框架中被操控、被困養。金魚求升、人求富貴，皆陷於看不見的局，局外仍有局。
Nested Game portrays the illusion of control—those who believe they command fate are themselves contained within a larger design. The fish seeking ascent and the figures pursuing fortune are all trapped in unseen structures; beyond every frame, another frame governs.
*細部
《艮離伏 Gen Li Fu》
45×45 cm
紙本設色
2025
作品取象於《易經・旅卦》。光明為表，危伏其後；旅人在安寧的景象中行走，卻未察覺潛伏於界外的力量。透過華紋與巨獸的對比，作品探問：表象是否可靠？我們真正看見的是什麼？
Inspired by the I Ching’s “Fire over Mountain,” this work explores how radiance can veil hidden forces. Travelers move through a serene landscape, unaware of what lurks just beyond perception. The contrast between ornate patterns and the concealed beast invites viewers to question the trustworthiness of appearances—and what we truly allow ourselves to see.
《既濟．未已 After Completion, Yet Unfinished》
139×78 cm
紙本設色
2026
作品以魚躍龍門、龍飛天與逐鹿中原為線索，呈現人對成功與權力的追逐。畫面看似步步上升，實則每次完成都將人推入新的慾望循環。豹象徵慾望，繁花與絲線暗示誘惑與牽引；月與蝠隱喻循環與「福」的反思。題為「既濟未已」，指出完成本身，即是另一慾望困局的開始。
The work draws on the imagery of “leaping over the Dragon Gate” and the pursuit of power to reflect the endless cycle of human desire. What appears as progression is in fact repetition—each achievement gives rise to new longing. The leopard symbolizes desire, while flowers represent beauty and temptation. Threads imply unseen constraints, and the moon and bats allude to cyclical fortune. Titled After Completion, Yet Unfinished, the work questions whether one can perceive an exit within the loop of desire.
*繪製過程與細部
